What is Plot?
Story is bigger than the plot itself – things tht occurred before the film started/after
- Plot is the actual arrangement of incidents that occurs in the film
- It is not the story itself, but the way the incidents are presented to the audience
- The structure of the play
- The most important feature of tragedy.
Beginning
- The incitive moment
- It must start the cause and effect chain.
Middle
- Climax
- It must be caused by earlier incidents and itself cause the incidents that follow it.
No longer accurately followed in modern stories (now its usually at the end)
End
- Resolution
- Must be caused by the preceding events but not lead to other incidents
- The end should resolve the problem created during the incitive moment.
Episodic Plots
- According to Aristotle, the worst kinds of plots
- The acts (episodes) succeed one another without the probability or necessity
- The only thing tying together the events in such a plot is the fact that they happen to the same person
Simple and Complex Plots
SIMPLE:
- Simple has only a “change of fortune”
COMPLEX:
- Complex has a reversal of intention “peripeteia” (when things change) and recognition “anagnorisis” (moment of recognition) connected with the catastrophe.
Things have changed – something that worked one way now works another way.
Character
- Character supports plot
- Personal motivations are connected to the cause-and-effect chain
- The protagonist in a tragedy should be renowned and prosperous (rich and famous), so his change can be from good to bad.
(the fall is greater for the rich and famous as opposed to taking things away from someone who is poor)
- (main character is not evil, still morally acceptable, still the hero, just tht he has a flaw. Something about him tht he doesn’t understand about the world and cos of tht he’s gonna be punished a.k.a “hamartia”[when the character doesn’t know enough]) – In the ideal tragedy, the protagonist will mistakenly bring about his own downfall – not becos his is sinful or weak – but becos he does not know enough
- this lack of self-knowledge is called “hamartia”
3 Act Structure
Advantage of working in three act structure is it breaks down the story and makes it more manageable
- 1st act: set up
- story begins with a goal-oriented character introduced at a point of crisis
- the character meets roadblocks produced by the plot and antagonist
someone wants something and its hard to get it – most movies
- 2nd act: confrontation
- action intensifies
- an event happens which forces the character to make his or her choice.
- 3rd act: resolution
- level of effort rises to new heights
- both plot and character is resolved
- but the main character either achieves or does not achieves his goal (essentially, the character can lose)
Super Vocabulary
- katharsis – emotional release that the audience experiences
- mimesis – imitation of the real world in art and literature
- anagnorisis – moment of recognition
- perepeteia – when things change from good to bad
- hamartia – lack of self-knowledge